Showing posts with label Thriller. Show all posts
Showing posts with label Thriller. Show all posts

Thursday, October 24, 2013

Streaming Rear Window Online

Rear Window (1954)

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PG - 112 min - Mystery, Thriller - 29 January 1955
IMDb Rating : 8.6/10


Director : Alfred Hitchcock
Writers : John Michael Hayes, Cornell Woolrich
Stars : James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter
A Deep & Entertaining Classic

One of Hitchcock's greatest masterpieces, "Rear Window" is a deep and entertaining classic with many strengths, and a little bit of everything. A fine suspense story is combined with romantic tension in the main plot, and there are numerous sub-plots, some humorous and some moving, all with many psychological overtones. The main characters are wonderfully portrayed and full of life. The apparently simple setting in an apartment complex is developed into a world filled with intriguing and sometimes unsettling possibilities, and this apparently average neighborhood comes to life with a wealth of lavish visual detail and interesting minor characters. It is the kind of film-making that (like many of Hitchcock's greatest movies) is very flattering to the viewer. The director assumes that his audience will pay close enough attention to appreciate the many subtleties with which he has filled the movie. It rewards both careful attention and repeated viewings, since there is much more here than merely a suspense plot, as good as that story is in itself.

For the first 30 minutes or so, we simply get to know the characters. Jimmy Stewart gives one of his best performances as a photographer recuperating from an injury, forced to spend several weeks staring out his apartment window at the minor dramas in the lives of his neighbors. Grace Kelly is ideal in the role of his perfect girlfriend, who can never find a way to break down Stewart's reserve. The study of their relationship would have made a good movie by itself. Almost every action and every word between them is filled with meaning, and what they see in the lives of others is an interesting reflection of the tensions and possibilities in their own present and future. Thelma Ritter is wonderful as a colorful, no-nonsense nurse who constantly sheds some light - sometimes unwanted - on what is happening between them. The action and suspense that occur later serves in large part as a catalyst that resolves some of the important issues between the two.

After we get to know the characters and their world, things start to happen, as Stewart becomes engrossed in some of the things he has seen. The ethical and moral concerns of meddling in others' affairs become intertwined with more urgent questions about what may have happened in those other apartments, and from then on the tension builds steadily. It leads up to a riveting climactic sequence filled with suspense, and made even more meaningful by our awareness of its deeper significance to the main characters.

There is much more that could be said, but you should see this for yourself. It is a classic that will be enjoyed not only by thriller fans, but by anyone who appreciates carefully crafted movies with a lot of depth.


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Streaming M Online

M (1931)

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NOT RATED - 99 min - Crime, Drama, Thriller - 31 August 1931
IMDb Rating : 8.5/10


Director : Fritz Lang
Writers : Thea von Harbou, Fritz Lang
Stars : Peter Lorre, Ellen Widmann, Inge Landgut, Otto Wernicke
60 years old, and still uber-suspenseful

The opening scene of this movie is the first clue to its near perfection – A mother preparing dinner for her child, waiting anxiously for her to return from school. Her hope, and then distress as she hears people pass outside her door. While down in the streets of Berlin, her daughter is receiving a balloon from a strange man in a long black coat. We know what's going to happen, but it's still horrific to watch.

Fritz Lang, you cinematic god! A simple story of the underworld, the police, and a single man holding an entire city hostage, and done with such precision and pre-noir darkness that is oozes creepy suspense from beginning to end.

But this movie is not so simple as the police inspectors trying to catch a devious murderer – it's about the mob, employing its network of beggars and petty thieves also trying to bring the killer to their own brand of justice. Apparently, the police crackdown caused by the murders is bad for business – so the mob begins to track him down as well.

It's not only a great crime story, and perhaps the first physiological thriller (the murderer is schizophrenic) but there's comments to be made here about the nature of justice, and who should best dispense it.

In all, not only a trail-blazing classic, but THE trail-blazing classic.


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Watch Goodfellas Online

Goodfellas (1990)

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R - 146 min - Biography, Crime, Drama, Thriller - 19 September 1990
IMDb Rating : 8.7/10


Director : Martin Scorsese
Writers : Nicholas Pileggi, Martin Scorsese
Stars : Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco
The greatest mob film still today

Amazing is the one and only word to say for this film. I have always thought that Goodfellas was one of the greatest films ever made and set a landmark in the 90's or even in movie history. I bought Goodfellas last week and I got to watch the film a couple days ago. I really just couldn't lay my eyes off the film and everything about it was just simply worth watching. The acting was excellent, Ray Liotta, Robert DeNiro, Joe Pesci, Lorraine Bracco, and other actors did great and almost all of the characters they portrayed were 100% accurate. The camera-work also was brilliant and Martin Scorsese does a beautiful job by putting excellent camera shots in his films and I give him high credit for that. The soundtrack too is one of the best soundtracks ever made and the song "Layla," put chills down my spine of how great this song fitted the film. Overall, Martin Scorsese made his best film in my opinion and him and Nicholas Pileggi made an excellent and sharp script that made this, the greatest mob film still today.

Hedeen's Outlook: 10/10!! **** A+


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Streaming The Silence of the Lambs (1991) Online

The Silence of the Lambs (1991)

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R - 118 min - Crime, Drama, Thriller - 14 February 1991
IMDb Rating : 8.7/10


Director : Jonathan Demme
Writers : Thomas Harris, Ted Tally
Stars : Jodie Foster, Anthony Hopkins, Lawrence A. Bonney, Kasi Lemmons
In a Class by Itself

Brilliant Best Picture of 1991 that never gets old. "The Silence of the Lambs" deals with a young FBI cadet (Oscar-winner Jodie Foster) who is sent to interview a captured madman (Oscar-winner Anthony Hopkins in one of the greatest performances ever on the screen) to find out about a serial killer (Ted Levine) who is stripping the skin from his female victims after they die. The FBI has had no luck with the case and agent Scott Glenn tries to throw a curve-ball to Hopkins by sending Foster. Hopkins is a former doctor of Levine and holds the clues to capturing the unknown criminal. Needless to say the film takes many twists and turns, creating a suspenseful thriller that has no equal. At the heart of "The Silence of the Lambs" are the confrontations between Hopkins and Foster. They play a complicated chess match of words which results in some of the greatest footage ever captured for the cinema. Hopkins dominates in spite of the fact he has approximately 17 minutes of time in the film. This is a film that will wrap itself around you and you will likely never be able to shake some of the key elements you have seen in this amazing masterpiece. 5 stars out of 5.


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Streaming Se7en Online

Se7en (1995)

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R - 127 min - Crime, Mystery, Thriller - 22 September 1995
IMDb Rating : 8.7/10


Director : David Fincher
Writers : Andrew Kevin Walker
Stars : Morgan Freeman, Brad Pitt, Kevin Spacey, Andrew Kevin Walker
Probably the greatest murder story ever

Seven's quality puts it so far beyond most of the "cops on trail of deranged killer" genre that it comes out as a true jewel of cinema. Everything about seven is perfect. It is art captured on film. This movie is a bright spot for all of the stars who worked on it.

Brad Pitt never gets the credit he deserves for his acting because he's a pretty boy and the press is a lot more interested about how he and Jennifer are doing. That's a shame because he is a talented actor that isn't afraid to take chances with both the roles that he picks and the characters that he plays. That is quite rare in the A-list world. Morgan Freeman is a great actor. You can always count on him to do what he does best which is play a wise veteran that has seen it all. Kevin Spacey is another great actor that has great range and really puts life and personality into his characters.

The real talent of this movie, excluding the actors that brought it to life, is the director David Fincher and the writer Andrew Kevin Walker. Fincher's talents for making a visually stunning film are now well known and he often brings a dark patina to his work. Andrew Kevin Walker must have some incredible demons living inside him. Either that or one hell of an imagination for bringing the intricate story of Seven and the plan of John Doe to life.

John Doe's plan really is twisted and I won't be spoiling it here. Suffice to say I have never seen so evil and complicated a plan in a movie before or since. The cinematography of the film is dark but beautiful and throughout the film it is either night or raining or both except for two very brief moments. It is such an emotional movie that you can't keep from being caught up in what is happening. Do you understand and sympathize with what John Doe is doing or do you think him a mad killer that must be stopped.

Bottom Line: If you haven't had the opportunity to see Seven yet then you must at least rent it. It is so damn good that I know you will like it. The only reason you wouldn't is because you're just too damn fragile to take something this hardcore.


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Streaming Inception (2010) Online

Inception (2010)

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PG-13 - 148 min - Action, Adventure, Mystery, Sci-Fi, Thriller - 16 July 2010
IMDb Rating : 8.8/10


Director : Christopher Nolan
Writers : Christopher Nolan
Stars : Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Ken Watanabe
Incredible-Nolan keeps improving and Inception is by far the best improvement!

I saw Memento very recently, something that turned out to be a great miss.I saw it again, just to make a couple of thins straight-and i'll definitely do the same with Inception.

Christopher Nolan keeps improving himself, with even more complex and multilayer script like this.And i thought Memento was hard to reach by most of the viewers, but no.Inception will keep you mesmerized and captivated by the genius, that's hidden behind it.And not just directors and screenwriters (or with other words-Nolan), but with acting and sound-and effects and editing as well.

When you have a cast like this-i mean Leonardo DiCaprio, Joseph Gordon-Lewitt, Michael Caine, or Marion Cotillard (a personal favourite), the movie just keeps going flawlessly.Most of the crew is the same the Nolan brothers worked with on TDK and earlier in Batman Begins.So the Oscar noms in those categories are a certainty for me.

The only thing one could have against the movie, is the headache one could have.See, most of my friends go to the movies for brainless action, they enjoyed Iron Man 2 and The A-Team, but this movie-you have to see it at least twice, to understand it.The levels and the layers on which thing are happening are so many, that one surely'll miss something vital.This is a reason for not fitting to the mass audience, but i hope that won't happen, because Nolan is one of my favourite directors/writers, and he showed, that the brainless action flicks aren't all of it.There are still movies like Inception out there and still people like the Nolans to make those movies, so it's not all lost.And i hope this movie could show the audience that the story is still important for the experience one could receive, not the endless, constant explosions.Because this is really a one of a lifetime event.

Saying that, i must say, that in a world full of remakes, reboots, sequels, prequels and God knows what, this is a unique chance to see something different and unmatched so far-a strong movie, that, surely will be Nolan's latest masterpiece! My Grade won't change-it's the same for all Nolan movies-sheer 10!


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Wednesday, October 23, 2013

Streaming Psycho (1960) Online

Psycho (1960)

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R - 109 min - Horror, Mystery, Thriller - 8 September 1960
IMDb Rating : 8.6/10


Director : Alfred Hitchcock
Writers : Joseph Stefano, Robert Bloch
Stars : Anthony Perkins, Janet Leigh, Vera Miles, John Gavin
Perkins Is Remarkable

Most modern-day horror films make the killer to be an absolutely inhuman, grotesque, unimaginable monster in order to scare the audience out of its wits. Most of the time, however, these stereotypes create a generic murderer a raving, ranting, clearly demented psychopath. One of the few memorable cinematic killers that does not adhere to these restraints and cliches is, of course, Anthony Hopkins' Hannibal Lecter, whom manages to effectively cause the audience to recoil without such drek as the aforementioned devices.

Anthony Perkins' skillfully crafts his performance as Norman Bates, avoiding a ranting, raving, drooling, murder-happy, manic characterization; instead his performance as Norman is subtle, creepy, cool, and unsettling. He is brilliant; from his quiet conversations with Marion Crane amidst the stuffed birds, to his weasling wimpiness when confronted by Arbogast, his performance is so exact that it chills the viewer, all without the unnecessary disturbing images prevalent in more modern films (read The Cell, Henry: Portrait of A Serial Killer).

Perkin's fine performance, a tight script, and Bernstein's classic score make Psycho a film that is now and will always be remembered as one of the pinnacles of the horror genre.


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Streaming The Usual Suspects Online

The Usual Suspects (1995)

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R - 106 min - Crime, Mystery, Thriller - 16 August 1995
IMDb Rating : 8.7/10


Director : Bryan Singer
Writers : Christopher McQuarrie
Stars : Kevin Spacey, Gabriel Byrne, Chazz Palminteri, Stephen Baldwin
Not enough good things to say

Such films like this should be enshrined in museums, simply due to the fact it destroyed the entire genre of mystery films. While this film was unique and captivating, no other mystery will ever accomplish this sort of cult status, single handedly shaping a genre. While most mysteries try to shock you too often with twists and even more twists, it turns out to be overkill. This film encompassed such ideas with flair and originality, which is probably the reason Brian Singer is sticking to sci-fi action films. Only Memento and The Game are the only recent mystery movies worthy enough to stand beside this film. Sadly, Singer has somewhat sold out by doing the X-Men movies, but I guess trying to make films like this would be too taxing. This film will always bring a smile to my face when I watch it with someone who hasn't seen this movie. A good viewing every time I watch it, the new special edition DVD is awesome.


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Streaming Memento (2000) Online

Memento (2000)

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R - 113 min - Mystery, Thriller - 11 October 2000
IMDb Rating : 8.5/10


Director : Christopher Nolan
Writers : Christopher Nolan, Jonathan Nolan
Stars : Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior
can't believe how much I'm still thinking the day after

So the "innovative" concept of filming out of sequence has been cliche for at least a few years now, but here's a film that makes it work far better than its been shown in a while.

Having read the reviews and talked to others who saw it, I thought that I'd go into the movie figuring everything out right away and declaring the concept unworkable. I couldn't be further from the truth. This movie does things to your head that are illegal in some countries. Portrayed (for all intents and purposes) backwards, it forces you to think in the same way that our lead character, Leonard Shelby (Guy Pearce being more brilliant than usual) does. Suffering from a condition that renders him unable to remember anything for more than a few minutes, he is searching for the man who raped and killed his wife. Since each seen lasts no more than 15 minutes before jumping back to the what happened before that, our perceptions are shattered in the same way.

Carrie-Anne Moss and Joe Pantoliano (both of The Matrix) put in great performances that leave you guessing; simultaneously endearing and revolting.

Overall I left the film trying to figure out what was what, and I'm still not sure. This film noir concept shouldn't work, but it does so wonderfully.


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Streaming The Dark Knight (2008) Online

The Dark Knight (2008)

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PG-13 - 152 min - Action, Crime, Drama, Thriller - 18 July 2008
IMDb Rating : 9.0/10


Director : Christopher Nolan
Writers : Jonathan Nolan, Christopher Nolan
Stars : Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine
Best movie of 2008 hands down!

I had the honor of watching TDK during a screening and was completely blown away! This isn't just the best Batman movie ever made, this is one of the best movie ever made. Everything in this film is excellent, not one piece of annoyance.

Bale marvels as Bruce Wayne/Batman, Ledger has made The Joker in to an iconic movie villain. His performance belongs there at the top with Hopkins Lecter. The Joker has finally been portrait properly on film, he has earned his place between the big boys in movie villandom. This is the true Joker every Batman fan knows, loves and fears. Ledger deserves any and every movie award known to man for this brilliant display.

Nolan has made his "I will always be remembered" movie, this is the crownjewel in his portfolio. Perfect directing, perfect story, perfect balance between action and drama, everything is perfect.

Even if you hate Batman, you will love this film. If you don't, then something beez wrongz with youz!


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Watch Gravity Online

Gravity (2013)

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PG-13 - 91 min - Drama, Sci-Fi, Thriller - 4 October 2013
IMDb Rating : 8.6/10


Director : Alfonso Cuarón
Writers : Alfonso Cuarón, Jonás Cuarón
Stars : Sandra Bullock, George Clooney, Ed Harris, Orto Ignatiussen
'Gravity' lives up to the hype with Sandra Bullock's crowning achievement intact (★★★★)

There is a sensational and overwhelming power that Alfonso Cuarón's space thriller "Gravity" possesses and manages to sustain in its 90 minute run time. I think I left my jaw on the theater floor. There are four things in particular to credit for this occurrence. The first of which being co-writer and director Cuarón, who has constructed one of his finest outings. "Gravity" breathes in a way I haven't seen before and is probably one of the best technical marvels that cinema has offered in the past twenty years. Cuarón handles the film with absolute certainty, restraining himself from committing any science fiction bourgeois, and reinventing the genre in a miraculous execution.

I've never looked at the world of Cinematography with so much respect and adoration until I saw the works of Roger Deakins and now, firmly sitting next to him at the table as the most innovative and brilliant DP working today, Emmanuel Lubezki. We've all seen what he's accomplished in his Oscar-nominated works in "Children of Men," in which he was teamed up with Cuarón, and Terrence Malick's "The Tree of Life," both of which resulted in unimaginable losses. A 13-minute opening shot shows his abilities to capture the essence of the now, the feelings that life offers. Real life doesn't cut, Cuarón and Lubezki understand this. The liberties where he chooses to take us, even when we step inside from the cold, lonely edge of space, manages to turn this very simple tale into a full-fledged meditation session with the sooth sounds of composer Steven Price. Visual effects have never been put to better use than what you will witness in "Gravity." One of the few films I urge everyone to see on the biggest screen possible. The post-conversion in 3D, although cool at times, was a bit unneeded. It doesn't add to the depth and scope of Cuarón's dramatic endeavor, it actually undersells it as a cheap, blockbuster space movie. An IMAX screen, the largest you can find, with a sound system able to make your eardrums bleed, those are the basic requirements. I haven't been in this much awe of a film's quality and optics this since I saw "Terminator 2: Judgment Day" when I was six years old. "Avatar" and "Life of Pi" are great spectacles, but this will be revisited in years to come as the bench mark for modern day science fiction. It's this generation's "2001: A Space Odyssey."

Finally, I've had a childhood crush on Sandra Bullock since I feasted my eyes on those pretty browns driving a bus in "Speed" during the early 90's. This manifested into looking at her abilities as an actor with a skewed vision. She's hinted at this greatness I've felt she could achieve in films like "A Time to Kill," "Crash," and her Oscar-winning role in "The Blind Side." Sandra Bullock has finally realized her potential as a leading lady and taps into the very essence of the human spirit as Dr. Ryan Stone; a work that stands as her greatest endeavor and her gift to the silver screen. Natural, poised, and fully engulfed, Bullock is absolutely magnificent and in many ways, my favorite performance of the year so far. She rallies an emotional connection from the audience and demands things of herself that she hasn't done before. An Oscar-worthy work that should land her as a Best Actress nominee...and perhaps a winner.

George Clooney as Matt Kowalsky is exactly what you'd come to expect from the Oscar-winning producer and actor. He utilizes his wit and charm to be a lighter force of our dark tale, and is a perfect balance to Bullock's frantic demeanor. As aforementioned, Steven Price's musical work is tenderly utilized and precisely executed, building up lots of affectionate tones that may leave some audience members in tears. The script by Alfonso Cuarón and son Jonas Cuarón inhabit a rich texture of dialogue that aren't thrown in for the sake of breaking the silence. They aren't afraid to let the scenery speak for itself or to let the actors portray their emotions in mannerisms, but when they step away from that, everything connects beautifully.

"Gravity" is a rare breed. Simplistic but so refreshingly new. Visually, it will be studied for years to come, and thematically, will be revisited by the genre's most ardent enthusiasts. One of the best films of the year. I'll say, if you haven't watched the trailers and clips, continue to do so. Too much information.


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Watch Terminator 2: Judgment Day Online

Terminator 2: Judgment Day (1991)

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R - 137 min - Action, Sci-Fi, Thriller - 3 July 1991
IMDb Rating : 8.5/10


Director : James Cameron
Writers : James Cameron, William Wisher Jr.
Stars : Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick
He Said He'd Be Back...and He Certainly is!

Who said sequels aren't any good? "Terminator 2" is the ultimate sequel, a big bad wolf ready to chomp the head off of anyone who crosses its path. It's dark, it's mean, and it's one tough movie. It's not as bleak as the first film, at least in terms of visuals, but rather has a new kind of bluish-tint that supplies a great backdrop to the ongoing battle between man and machine.

If there was ever a contemporary mainstream visionary director, it is James Cameron. Here we've got Cameron's real thoughts on the series, those repressed by a low budget in the original film. He lets loose here, filling every frame with hard-boiled action and special effects. He introduces a liquid metal Terminator that he wanted to use in the first film, but graphic processors and CGI were not advanced enough in 1984, at least not advanced enough to work on the low means he had to film the original. So his original dream is finally unveiled, and good golly, gee Molly, is it wonderful.

Yeah, he's "back." Arnold (like he needs any introduction?) returns as The Terminator, Series T-101, Model T-800, an indestructible cyborg sent from the future to assassinate Sarah Connor (Linda Hamilton) in the first film. Well, it's 1991. New film. New mission. He has to save the future resistance leader of mankind who will ultimately defeat the machines of the future, John Connor (Edward Furlong), Sarah's 11-year-old son. (Though his age has been switched from 11 to 13 and back to 9 over the years, with no help from the third film that takes place in 2003, yet claims he was 13 in 1991 though his age doesn't match with his age in the third. We'll just leave it at 11 in this film. Got that?)

Another model Terminator, the T-1000 (Robert Patrick), has been sent back to 1991 programmed to annihilate John Connor. Which explains Arnold's appearance. Arnold, an undoubtedly lesser opponent compared to the T-1000, has to help save the day and learn to appreciate humanity. It won't be easy. First, he has to find John Connor, who is a rebellious angst-driven pre-teen living with foster parents. Then, together they have to break into the local loony hospital and release Sarah from the clutches of Dr. Silberman (Earl Boen), who believes Sarah is delusional. (You may remember Silberman as the psychiatrist from the first film, too.) Then, they have to stop a computer chip designer (Joe Morton) from creating the first version of a SkyNet computer, modeled after a destroyed chip his employment company discovered at a large mechanical warehouse. (Which is, of course, the chip from the destroyed T-800 of the first film.)

Whew. On with the film analysis, right? Where to start? This isn't as fierce or brutal as the first film, but it's got plentiful action sequences, a large budget, great special effects (even compared to those gracing the screen nowadays), not to mention a great character study of the machine we loved to root against in the first film. Of course, this Terminator has no memory of the first film, since he wasn't in it--SkyNet creates hordes of the same version machines on a large conveyor belt and ships them off to fight in the war. Some are sent back through time. So, with that in mind, John Connor's resistance found an extra Arnold lying around in an abandoned warehouse, programmed him to keep John Connor out of harm, and sent him through the time portal.

Sarah doesn't trust him. In a deleted scene available on the Ultimate and "Xtreme" edition DVDs, Sarah says, "You don't know what it's like to try and kill one of these things!" It's an important scene that should have been left in the final cut. In it, Sarah is about to destroy the machine's central processing chip located inside his head, when John stops her. It's important because it focuses on the fact that Sarah still doesn't trust him, and came close to destroying him purely out of prejudice, without giving him a chance. As much as I don't like it when people go on about hidden meanings in films that obviously are not meant to have hidden meanings and are purely little flubs made by directors unrightfully analyzed for deeper meaning(s), "T2" clearly has an underlying message: One, don't judge a book by its cover. Read it first. Two, if an emotionless killing machine can learn to appreciate life, why can't everyone? And three, the most important fact of all: Never mess with a muscular man who walks into a bar completely naked and requests your clothes and means of transportation.

I suppose the question on most interested viewers' minds is this: Is "T2: Judgment Day" better than its predecessor? Well, in some respects, yes. In others, no. It lacks the fierce brutality and darkness of the first film, but makes up for it with spectacular visual effects and action sequences. It lacks the horrific central focus of the first film (futuristic, indestructible cyborgs with no feelings being able to unemotionally kill), but it makes up for this with a new focus of humanity, coming to accept your future, and how it would look if two colossal killing machines entered into an arena together.

In some ways, I like the first better. But then I think about the second film and I have a hard time choosing. I suppose if I had to choose I'd choose the first film. And let me just state for the record that I'm glad I don't have to choose.

5/5 stars.


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Watch Léon: The Professional (1994) Online

Léon: The Professional (1994)

Streaming Léon: The Professional (1994) Full Movie




R - 110 min - Crime, Drama, Thriller - 18 November 1994
IMDb Rating : 8.6/10


Director : Luc Besson
Writers : Luc Besson
Stars : Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello
Excellent, smart action film.

Luc Besson's "The Professional" is sort of a companion piece to his international breakthrough hit "La Femme Nikiti", and in many ways it's an even better film. It raises the stakes of Besson's playful women-with-guns theme by making the heroine a 12-year-old, played by a then unknown Natalie Portman. Jean Reno is excellent as her assassin trainer and surrogate father. Oldman is completely over the top in one of his best bad-guy roles, obsessed with both Beethoven and butchery. As a gritty, suspenseful thriller, this film won't leave action fans feeling cheated, but the film is so much more than that. At the center of "The Professional" is a wonderful father and daughter-like relationship between two damaged strangers who find solace in each other.


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Streaming Pulp Fiction (1994) Online

Pulp Fiction (1994)

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R - 154 min - Crime, Drama, Thriller - 14 October 1994
IMDb Rating : 9.0/10


Director : Quentin Tarantino
Writers : Quentin Tarantino, Roger Avary
Stars : John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis
Unbelievable.

Pulp Fiction may be the single best film ever made, and quite appropriately it is by one of the most creative directors of all time, Quentin Tarantino. This movie is amazing from the beginning definition of pulp to the end credits and boasts one of the best casts ever assembled with the likes of Bruce Willis, Samuel L. Jackson, John Travolta, Uma Thurman, Harvey Keitel, Tim Roth and Christopher Walken. The dialog is surprisingly humorous for this type of film, and I think that's what has made it so successful. Wrongfully denied the many Oscars it was nominated for, Pulp Fiction is by far the best film of the 90s and no Tarantino film has surpassed the quality of this movie (although Kill Bill came close). As far as I'm concerned this is the top film of all-time and definitely deserves a watch if you haven't seen it.


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Watch North by Northwest Online

North by Northwest (1959)

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APPROVED - 136 min - Action, Adventure, Crime, Mystery, Thriller - 26 September 1959
IMDb Rating : 8.5/10


Director : Alfred Hitchcock
Writers : Ernest Lehman
Stars : Cary Grant, Eva Marie Saint, James Mason, Jessie Royce Landis
I finally get how great it is: Hitch infuses his wrong-man caper with ironic movie language and reality-be-damned escapism and suspense.

Its Hitch's most briskly entertaining movie, and one of his most comic, adventure-caper type movies, largely thanks to the persona of Cary Grant. But its also one of his most suspenseful - in the fact that Grant is being recognised as someone else, and that he may be put in jail for someone else's crime.

I've finally come to realise just how great North by Northwest is. The reason you should love Hitchcock is he put entertainment upfront. Hitchcock was not interested in whether this or that would happen in real life: he was interested in what would make the most entertaining scene for the movie. North by Northwest is a peak in this regard. The dialogue and situations intentionally throw reality to the wind - the double-entendre dialogue in the love scenes is not supposed to be the way people talk!

If you said to Hitchcock "as if he'd keep driving" or "as if she'd do that"
  • he would just laugh at you and say you've missed the point. This is 100%
movieland, and once you get used to the fact, and that this is not a fault in the film, but done intentionally, you'll love it. Its expressionistic - everything happens in movie language: the people laughing at Grant in the elevator, the way he keeps driving drunk near the beginning, the way he grabs the knife and everyone stares at him after someone's been stabbed.

It flirts with the idea of identity. I thought it was interesting how Grant first is dismissing, then incredulous that people should be calling him by another name; then, as the tries to find out who this guy is, he enters the hotel room of this new identity, then he puts the suit on, and finally he identifies himself as George Kaplan.

A succession of fantastic, memorable scenes, a great leading man in Grant, and one of Hermann's essential Hitch scores make for a movie i can put on at any time.

10/10


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The Prestige (2006)

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PG-13 - 130 min - Drama, Mystery, Thriller - 20 October 2006
IMDb Rating : 8.4/10


Director : Christopher Nolan
Writers : Jonathan Nolan, Christopher Nolan
Stars : Christian Bale, Hugh Jackman, Scarlett Johansson, Michael Caine
A Nutshell Review: The Prestige

I've said it before, but I'll say it again. Christopher Nolan can do no
wrong.

Teaming up again with his Batman Begins cast of Christian Bale and
Michael Caine, and joined with the Scoop team consisting of X-Men's
Wolverinie Hugh Jackman and Scarlett Johansson, the stellar (eye candy)
cast already set tongues wagging as to whether they'll be able to live
up to the hype of Nolan's long awaited movie directly challenging the
other picture about Victorian magicians, The Illusionist.

The Prestige is the third act of any magic trick, with the first and
second acts being the Pledge and the Turn. And this movie lives up to
its namesake to a T. The way the movie plays out, it's like a huge
magic trick, with the audience waiting to see how it unfolds, getting
the suspicion on how it's done, but yet sitting through it thorough
engaged to discover how everything will be revealed and resolved. It
tells the story of how two magicians, fellow apprentices turned
unfortunate rivals, plod down the slow path of jealous obsession,
revenge, and the deliberate attempts to go at lengths to steal each
other's ideas, to go one up against the other, a fight in romance, life
and the long held passionate drive to discredit each other. There are
perfect explanations of the value of secrets, and how secrets can
sometimes be used as tools for deceit.

What I thought was valuable in the movie was the reinforcement of the
notion of how "magic" actually worked. Besides the better understanding
of the common body of scientific knowledge, things like having pretty
assistants to distract, and having planted staff amongst the audience,
somehow made me a sceptic to tricks and illusions, and try harder to
spot at which stage had things undergone a sleight of hand. More
importantly, it introduced me to the notion and importance of a loyal
engineer behind the scenes who designs elaborate contraptions solely
for the magician's use, and how having disloyal staff can indeed be
detrimental to any leaks of secrets.

And Michael Caine took on this engineering role as Cutter, responsible
for assisting Rupert Angier (Hugh Jackman) with loyalty and conviction
that they could, as a team, beat Christian Bale's Alfred Borden. I
thought the cast in general were superb, with Christian Bale leading
the charge. Hugh Jackman too showed that he could play a dark
character, as the two leads tackled their characters' theme of
sacrifice, arrogance, and ultimately redemption, especially for Rupert
Angier. I thought he did what he did towards the end was a kind of
penance to what happened in the beginning, hoping to kill two birds
with a single stone, to exact the sweetest revenge he could possibly
muster. What also was intriguing about the two lead characters was that
there is no right or wrong, no hero or villain. It's always a shade of
grey in what they do, and for Alfred Borden, I felt it's more for
survival and the provision for family, which is a strong subplot
running through the film. I just have to mention though, that Scarlett
Johansson being Esquire's Sexiest Woman Alive, gets to play a flower
vase role here as a magician's assistant, though her role as the pawn
between the rivals added a little gravitas.

The atmosphere was set up great, and so were the costumes and sets. The
soundtrack was hauntingly mesmerizing, capturing the look and mood
appropriately. Look out too for David Bowie's appearance as a Serbian
scientist!

I was floored by the deftness of how Nolan weaved and juxtaposed the
non linear narrative so flawlessly. While the usual techniques is to
use placeholders, or flashback sequences, colours etc, here, time is so
fluid, but yet the audience will know precisely which era they're in,
without being explicitly told, or working too much of the noodle. You
just know, and it's just that feeling of being totally transparent with
time. Even though the movie clocked in at slightly more than 2 hours,
you don't feel its length at all.

At the end of the movie, one quote popped into mind: Misdirection -
what the eyes see and the ears hear, the mind believes. Quite apt to
describe how things work out during the movie, or to describe in
general, Nolan 's films so far. That added richness to lift the movie
to a superior plane. Do yourself a favour, if there's one movie you
absolutely must watch this week, then Prestige must be your natural
choice. It's smart in delivery and slick in presentation. There is none
other.

P.S. Is it just me, or are notebooks a common feature in Nolan's
movies?


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Vertigo (1958)

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PG - 128 min - Mystery, Romance, Thriller - 21 July 1958
IMDb Rating : 8.5/10


Director : Alfred Hitchcock
Writers : Alec Coppel, Samuel A. Taylor
Stars : James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore
Beyond Amazing

Over the years, this film has been regarded as one of Hitchcock's masterpieces. Its been called the most personal, emotional, and complex of Hitchcock's films. I agree with all of these things except for one, this film IS Hitchcock's masterpiece work. All of the others pale in comparison to this. There are phenomenal performances here by Jimmy Stewart who plays the biggest anti-hero of his career and Kim Novak whose stunning beauty and exceptional personalities shine through this dark film. Barbara Bel Geddes provides great support as well. Everything about this film, the cinematography, the story, the depth, etc. leaves you mystified and transfixed on this dizzying, surreal artwork of a film. It truly is flawless. If you are a Hitchcock fan and haven't seen this you need to get up right now and buy, not rent, this as soon as possible!


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