Showing posts with label Morgan Freeman. Show all posts
Showing posts with label Morgan Freeman. Show all posts

Thursday, October 24, 2013

Watch The Shawshank Redemption (1994) Online

The Shawshank Redemption (1994)

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R - 142 min - Crime, Drama - 14 October 1994
IMDb Rating : 9.3/10


Director : Frank Darabont
Writers : Stephen King, Frank Darabont
Stars : Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler
Prepare to be moved

I have never seen such an amazing film since I saw The Shawshank Redemption. Shawshank encompasses friendships, hardships, hopes, and dreams. And what is so great about the movie is that it moves you, it gives you hope. Even though the circumstances between the characters and the viewers are quite different, you don't feel that far removed from what the characters are going through.

It is a simple film, yet it has an everlasting message. Frank Darabont didn't need to put any kind of outlandish special effects to get us to love this film, the narration and the acting does that for him. Why this movie didn't win all seven Oscars is beyond me, but don't let that sway you to not see this film, let its ranking on the IMDb's top 250 list sway you, let your friends recommendation about the movie sway you.

Set aside a little over two hours tonight and rent this movie. You will finally understand what everyone is talking about and you will understand why this is my all time favorite movie.


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Streaming Se7en Online

Se7en (1995)

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R - 127 min - Crime, Mystery, Thriller - 22 September 1995
IMDb Rating : 8.7/10


Director : David Fincher
Writers : Andrew Kevin Walker
Stars : Morgan Freeman, Brad Pitt, Kevin Spacey, Andrew Kevin Walker
Probably the greatest murder story ever

Seven's quality puts it so far beyond most of the "cops on trail of deranged killer" genre that it comes out as a true jewel of cinema. Everything about seven is perfect. It is art captured on film. This movie is a bright spot for all of the stars who worked on it.

Brad Pitt never gets the credit he deserves for his acting because he's a pretty boy and the press is a lot more interested about how he and Jennifer are doing. That's a shame because he is a talented actor that isn't afraid to take chances with both the roles that he picks and the characters that he plays. That is quite rare in the A-list world. Morgan Freeman is a great actor. You can always count on him to do what he does best which is play a wise veteran that has seen it all. Kevin Spacey is another great actor that has great range and really puts life and personality into his characters.

The real talent of this movie, excluding the actors that brought it to life, is the director David Fincher and the writer Andrew Kevin Walker. Fincher's talents for making a visually stunning film are now well known and he often brings a dark patina to his work. Andrew Kevin Walker must have some incredible demons living inside him. Either that or one hell of an imagination for bringing the intricate story of Seven and the plan of John Doe to life.

John Doe's plan really is twisted and I won't be spoiling it here. Suffice to say I have never seen so evil and complicated a plan in a movie before or since. The cinematography of the film is dark but beautiful and throughout the film it is either night or raining or both except for two very brief moments. It is such an emotional movie that you can't keep from being caught up in what is happening. Do you understand and sympathize with what John Doe is doing or do you think him a mad killer that must be stopped.

Bottom Line: If you haven't had the opportunity to see Seven yet then you must at least rent it. It is so damn good that I know you will like it. The only reason you wouldn't is because you're just too damn fragile to take something this hardcore.


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Tuesday, October 22, 2013

Watch Unforgiven Online

Unforgiven (1992)

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R - 131 min - Western - 7 August 1992
IMDb Rating : 8.3/10


Director : Clint Eastwood
Writers : David Webb Peoples
Stars : Clint Eastwood, Gene Hackman, Morgan Freeman, Richard Harris
A Fitting End

There may never be another real western. Clint appears to be done with the genre and there really isn't anyone else I can think of that can do it Properly. Sergio Leone is gone. William Wellman is gone. Sam Peckinpah is gone. John Huston is gone. John Ford is gone. Howard Hawks is gone.

Kevin Costner tries hard but he just doesn't get it. Dances With Wolves wasn't really a western. It wasn't even an anti-western. It was more like a political indictment of the actions of the Americans of the time. For all that I did enjoy it.

Most of the others since Unforgiven are movies where somebody decides to put the characters on a horse, but the story is just generic pap. Nobody has the balls to make something with a meaning.

I will grant that Deadwood is a truly excellent series but it isn't a movie.

That's why I believe that Unforgiven is a fitting end to the western genre. I won't get all rhapsodic and spout a bunch of crap about how Clint made this movie as a symbol of the end of the western. Cuz that's a load of crap. The script had been around since the early 70s when things were still going strong. What it is, is a movie that shows us that there is no black and white in any time. There are only shades of grey.

It is also just as dirty and violent as things actually were for most people in that era. Life was comparatively cheap and most people didn't have much hope of justice. The middle class was very small and the upper class was tiny. The vast majority belonged to the under-classes.

Good guys didn't wear white hats and not every sheriff was a good guy. Some were violent and corrupt braggarts and bullies. Little Bill mocks English Bob's self-promotion, but at the same time he knocks Bob down he builds himself up. He doesn't bother with courts or judges and he is his own executioner. He isn't motivated by any innate sense of justice when he deals with any criminal elements. It's more that he takes it as an insult to his own power.

William Munny is a killer, plain and simple. He has human feelings but basically he is unrepentant. He changed for his wife, but like many changes it wasn't permanent. He won't sleep with a whore but when he needs money he is willing to kill for it. At the same time he treats the whore with kindness and is loyal to his friend. And somehow he managed to get a good woman to love him. A classic anti-hero.

Rather than being about the end of the Western genre I believe that it is actually an ode to what came before it. Sergio Leone would have been proud.


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Monday, October 21, 2013

Streaming Million Dollar Baby Online

Million Dollar Baby (2004)

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PG-13 - 132 min - Drama, Sport - 28 January 2005
IMDb Rating : 8.1/10


Director : Clint Eastwood
Writers : Paul Haggis, F.X. Toole
Stars : Hilary Swank, Clint Eastwood, Morgan Freeman, Jay Baruchel
Best boxing film since "Raging Bull"?

Clint Eastwood is a man of faith. He is an artist who is confident and experienced enough to have a deep faith in the audience that he is trying to reach. He is also a master of omission, of the left-out detail/line, trusting in his gut that his audience is willing to participate in his films by exercising their imaginations; that they never want any aspect of the story to be 'dumbed-down' for ready consumption. In fact, his trust in the audience to use their own minds to fill in gaps is like a gift of part ownership in the film. "Million Dollar Baby" is a beautiful gift, and a masterpiece if film-making.

Eastwood plays Frankie Dunn, an elder boxing coach, manager, and expert 'cut man' who runs a gym and is learning Gaelic on the side. He's a nice enough guy, but he can't seem to shake the guilt from ghosts in his past (some we're in on, some not quite). His guilt/shame is a constant just beneath the surface and gives him something of a cold exterior, sometimes frozen. Yet, as played by Eastwood, you know Dunn's aware of his own plight, but just doesn't know how to melt the ice. Or more importantly, if he's deserving of such a meltdown.

Enter Maggie Fitzgerald (Swank). She's a thirty-something trailer trash woman from southwest Missouri. An unlikely hero for sure. But for my money, Maggie is this generation's Rocky. That may seem an easy, simplistic, and over-reaching comparison, but the parallels are deep, obvious and myriad. Like many people, Maggie's dream (being a professional boxer) is always just out of reach, yet she cannot give it up. She works as a waitress to make ends meet (or at least the ends are almost touching), but spends all her spare time training. Like Dunn, Maggie has her own ghosts haunting her, and through these ghosts they bond tighter than super glue. The heart and work (incalculably huge amounts) that Swank put into becoming Maggie are unnoticeable. It's a silly phrase but it's as if she was born to play this part. It fits like a glove. The real life parallel of her relationship to Eastwood no doubt played a part in her ability to connect with the character's relationship to Dunn. Yet this in no way diminishes her accomplishment. She is brilliant.

Morgan Freeman plays Dunn's right-hand man (Scrape) at the gym, and reprises a role similar to Red from "Shawshank Redemption". He also voices the omniscient narration to the story, a la Red. Like Dunn and Maggie, he's similarly bruised, but somehow less deeply. He's there when both of them need support and helps to bring them together. I can think of nobody acting in film today who can embody kindness and wisdom through friendship and support better than Freeman. He also serves to bring in another Eastwood trademark – 'Banter'. Even when themes are heavy, Eastwood's sense of humor is never entirely absent and he and Freeman have a good time with each other, as did Bacon and Fishburne in "Mystic River". These three characters together create a beautiful and true, albeit small, family unit Eastwood's lifelong themes and 'blurring of lines' are on full display: good vs. evil, right vs. wrong, the role of violence, redemption, guilt/shame over previous acts, even god and death. Never one for easy answers, his version of the truth lies in the shadows, quite literally. Cinematographer Tom Stern crafts characters in shadow, shifting in and out of light. There is a grey area between the light and the dark where something approaching truth lies waiting, and this is where Eastwood takes us, then leaves us there to ponder. "Million Dollar Baby" is a shadow play. As accomplished as "Unforgiven" and "Mystic River", yet even more personal, this film is a triumph of human storytelling. As Bacon's character says in "Mystic River", "…and the hits just keep on comin'."


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