Showing posts with label Ridley Scott. Show all posts
Showing posts with label Ridley Scott. Show all posts

Wednesday, October 23, 2013

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Alien (1979)

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R - 117 min - Horror, Sci-Fi - 22 June 1979
IMDb Rating : 8.5/10


Director : Ridley Scott
Writers : Dan O'Bannon, Ronald Shusett
Stars : Sigourney Weaver, Tom Skerritt, John Hurt, Veronica Cartwright
"Alien" is not just the monster, it's the atmosphere and the way you feel!

In "Alien" we follow a seven man crew en-route to earth on board the huge space freighter "Nostromo". The crew is in cryosleep, but the on board computer interrupts the journey when a foreign radio signal is picked up. It originates from an uninhabited planet and the crew lands to investigate. There they make contact with an alien life-form...

What makes Alien so great is the constant feel of uneasiness. Right from the beginning you have a feeling that something is wrong. The crew is not particularly friendly towards each other, and you truly feel all the in-group tension. The ship itself is a huge worn out industrial-style maze of halls and corridors, and it feels more like a prison than a place to live. It is as if not only the alien but also the ship itself is against the humans. The Alien itself is the scariest monster in history because it is a ruthless, soul-less parasite completely devoid of any human or civilized traits. The design of the monster is a stroke of genius. Sure it has a humanoid form, but it has no facial traits or anything else which could give away emotions or intentions. Its actions reveals no weaknesses nor civilized intelligence. The Alien is more or less the opposite of everything human and civilized, plus the creature is more well-adapted to the inhumane interior of the ship than the humans who build it. To sum up, you then have a setting where the humans are caught in a web of in-group tensions, an inhospitable ship and the perfect killer which thrives in the ships intestines. You almost get the feel that the humans are the ones who are alienated to each other and to their own ship.

Ridley Scott tells the story with a perfectly synchronized blend of visuals and sounds.

The actors do a superb job, portraying their characters in a subtle but very realistic way. The seven man crew is not a bunch of Hollywood heroes. They are ordinary people with strengths and weaknesses, likes and dislikes. In this way they all seem so fragile when confronted with the enemy.

As mentioned the ship is very claustrophobic and Ridley Scott adds to the eeriness by using camera movement, lights and shadows in an effective way. The living quarters are bright and should be comfortable to the crew, but there is something sterile about it all. The rest of the ship is basically a huge basement.

The music by Jerry Goldsmith underlines the eeriness so well, and the movie wouldn't have worked without his score. Combined with the sounds of the ship it all adds to the uneasiness.

This is not a story about heroic people who boldly teams up against evil. It's a story about ordinary people facing true fear, which is the fear without a face. The fear we can't understand and can't negotiate with, because its only goal is to survive on the expense of us. It's a story where some people bravely fight back whilst others are destroyed by the terror. It's a story where people a killed in a completely random way. There is no higher-order justice behind who gets to live and who dies. All seven characters are just part of a race where the fittest - not necessarily the most righteous - will prevail, and all seven characters start the race on an equal footing. None of them are true heroes, and none of them are true villains.

All the above makes Alien so great as a horror movie. The terror isn't just the Alien itself, it's the entire atmosphere which gets so effectively under your skin, that you just can't shrug it off after the end credits like you can with so many other Hollywood horror movies. The title "Alien" doesn't just refer to the monster, it is the theme of the movie and it is the feeling you have during and after the movie. 9/10


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Streaming Gladiator Online

Gladiator (2000)

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R - 155 min - Action, Adventure, Drama - 5 May 2000
IMDb Rating : 8.5/10


Director : Ridley Scott
Writers : David Franzoni, John Logan
Stars : Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed
Breathtaking!

Once again, Director Ridley Scott proves to be as professional as one can be. The recreation of ancient Rome is splendid, with all its magnificent buildings and atmosphere and he is able to show with all brightness the greatness of the Roman Empire, with its political problems and military discipline, and love and treason, of hate and jealousy, that still have a place in our world today. But the story has a glow of its own, to which all the beautiful scenery (believe me, it's awesome!!!) and great cinematography are just balancing factors. The plot is a rich one, that is as dynamic as it is present. He once again, after Blade Runner, 1492, and others helps us visit the depths of the human soul, which remains the same over all our historical and social experience. Even the fights, are displayed in such a way that all the blood is quite discrete, but still, making us feel like screaming and jumping out of our seats. I would also like to point out the performances of the cast, that is surprisingly good. We have some actors and actresses, who are not Hollywood icons, but are are greatly able to move the audience among screams and tears. All in all, we have guys like Russel Crowe, who are coming out to be part of a new and extremely promising harvest of people who are making each time more fans around the world. Well, you should see for yourself!


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Tuesday, October 22, 2013

Watch Blade Runner Online

Blade Runner (1982)

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R - 117 min - Drama, Sci-Fi, Thriller - 25 June 1982
IMDb Rating : 8.2/10


Director : Ridley Scott
Writers : Hampton Fancher, David Webb Peoples
Stars : Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos
Intriguingly Philosophical

Blade Runner, directed by Ridley Scott and based on Philip K. Dick's novel Do Androids Dream of Electric Sheep, is a Sci-fi slash Noir film about a cop named Rick Deckard (Harrison Ford) in a decrepit 2019 Los Angeles whose job it is to "retire" four genetically engineered syborgues, known as "Replicants". The four fugitives, Pris (Daryl Hannah), Zhora (Joanna Cassidy), Leon (Brion James), and their leader, Roy Batty (Rutger Hauer), have escaped from an off-world colony in order to find their creator and bully him into expanding their pre-determined four year life span. This film originally flopped when it came out in 1982, but since has become a widely acclaimed cult classic with a director's cut to boot. A large part of the success that this movie has received can be attributed to its ability to operate on many different levels.

Ridley Scott's hauntingly possible depiction of what might become of Los Angeles down the line is absolutely brilliant. It captures elements of Noir with its urban atmosphere of decadence, lighting, and characters neither clearly defined as good nor evil. Corruption is everywhere. The garbage-littered streets and permanence of dark and rain give us the sense that we've seriously screwed up the atmosphere, and the impression that all respectable human beings have fled to the off-world colonies, leaving only the scum of the earth behind.

There is a hint of style from the 40's, especially with respect to cars, costumes, and music. Rachael's entire outfit, including her hair, screams the 40's.

The soundtrack, arranged by Vangelis (who won an Oscar for his Chariots of Fire score), consisted mainly of Jazz and Blues. This functioned to represent a dark, moody world of uncertainty and pessimism.

The special effects were exceptional. Much of the set was pulled off using models. In my opinion, sets made by hand require leagues more of skill and are much more impressive and realistic than those computer generated. These guys really knew what they were doing. I was especially fond of the pyramidesque Tyrell Corporation building, which hinted at the god-like presence of Eldon Tyrell (Joe Turkell), the creator.

The script (Hampton Fancher, David Peoples, and of course Phil Dick) worked for me, as well as the actors who gave voice to it. Harrison Ford was well...Harrison Ford. I thought he did a tremendous job down-playing the role. His voice-over narration helped you along, and was yet another feature conducive to Film Noir (apparently this was taken out of the Director's Cut). Rutger Hauer's performance was intense. His lines at the end were intriguingly philosophical. Daryl Hannah's chilling robotic expressions were quite impressive. Joanna Cassidy was just plain hot.

There is more to this film than just pulp. It works on so many remarkable levels. The movie itself is a detective noir quest for the meaning of life in a science fiction environment, but the story is a commentary on what it means to be human and the questions each one of us have about life, like: How long have I to live? Why do I have to die? What happens when I die? Doesn't my maker care? Is this all merely an illusion? At the end of the film we are left to wonder if these Replicants are human, and if Deckard himself is in fact a Replicant. Scott raises more questions here than he answers, and as a result, critics are still debating the mysteries of this film today. In a sense, the ambiguity of Blade Runner is the culprit of its success.




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